暂无剧情简介

In a ground-breaking new series, Virgin Island follows 12 adult virgins, as they travel to a luxury Mediterranean retreat to embark on a unique course in intimacy, to see if it can help them overcome the fears that are holding them back. 　　This warm, authentic and thought-provoking series explores these issues as some of the world’s leading sexologists take the twelve courageous virgins on a unique, hands-on programme, to help them take their first steps towards sex and intimacy. 　　But, with so many of the group terrified of even being touched, will any be able to fall in love, fall into bed… or even achieve their ultimate aim of losing their virginity?

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community. 　　Filmed 40 years after his disappearance, The Punk of Natashquan is a cinematic investigation that ventures into the mythology of “The Punk”. Drawing on the styles of direct cinema and true crime, blended with archive, this short film blurs the boundaries between reality and legend, creating a portrait of the spirit of The Punk— captivating, complex, and as genre-defying as the man himself.

插画师Cherry遇到恐男插画师Virgin，受动漫影响的他们开始约会并建立关系，最终分手。

With TAMALA 2030: A PUNK CAT IN DARK, the mysterious Japanese writer/composer/director duo K. and kuno, known together as t.o.L (“trees of Life”), have resumed, recalibrated, and resolved their tale of the cutest girl-cat in dystopian Cat Tokyo, surpassing themselves in their control of the cryptic, complex, and cuddly chaos they’ve unleashed. The kawaii paradigm of Hello Kitty and Hatsune Miku collides with cabalistic capitalism, cataclysmic prophecy, and the ruptured realities of Lynch, Pynchon, and Philip K. Dick in a deviously dreamlike, metaphysical mind-melt of high-fructose, retro-futuristic, paranoid pop-art brilliance.

这里是，“人”“神”“魔”各种族混杂的神秘世界密斯塔尔希亚。 世界免于巴哈姆特复活引发的崩坏，在那之后过了10年—— 新的“人”之王袭击“神”之神殿，攻陷“魔”之国度。 从濒临毁灭的状况得到复兴以及更进一步的发展，王都为“人”带来了财富。 作为王都复兴的食粮而沦为奴隶的“魔”，以及随着信仰心的消失而失去力量的“神”。 在逐渐失去均衡的世界中，“人”“神”“魔”各自的正义相互交错——